Movie Suggestions by MPAA Rating

Sisters Martine and Filippa, daughters of a founder of a religious sect, live a simple and quiet life in a remote coastal village in Denmark. Throughout the course of their lives, they reject possible romances and fame as part of their commitment to deny earthly attachments. This is upended by the sudden arrival of a French immigrant named Babette, who served as their house help to escape the civil war raging in her country.

Babette’s Feast is an inquiry into simplicity and kindness, and whether these would be sufficient to achieve a life of contentment. The religious undertones perfectly fit with the film’s parable-like structure, where bodily and spiritual appetites are satisfied through a sumptuous feast of love, forgiveness, and gratitude.

Genre: Comedy, Drama

Actor: Asta Esper Hagen Andersen, Axel Strøbye, Bendt Rothe, Bibi Andersson, Birgitte Federspiel, Bodil Kjer, Cay Kristiansen, Ebba With, Ebbe Rode, Else Petersen, Finn Nielsen, Gert Bastian, Ghita Nørby, Ghita Nørby, Holger Perfort, Jarl Kulle, Jean-Philippe Lafont, Lars Lohmann, Lisbeth Movin, Pouel Kern, Preben Lerdorff Rye, Stéphane Audran, Stéphane Audran, Therese Hojgaard Christensen, Thomas Antoni, Vibeke Hastrup, Viggo Bentzon

Director: Gabriel Axel

Rating: G

Studio Ghibli has brought us moving, remarkable animated films such as Spirited Away, My Neighbor Totoro, and Princess Mononoke. One of Studio Ghibli’s most overlooked movies is Yoshifumi Kondou’s Whisper of the Heart, which finds magic in the ordinary every day. Shizuku is a young girl with great aspirations to become a writer—the only thing stopping her is herself. When she comes across a curious antique shop, she befriends a mysterious boy and his grandfather, who are just the push she needs to look inward and discover her own artistic capabilities.

If you have ever wanted to create something bigger and better than yourself—a story, a song, a poem, a painting, a work of art—then Whisper of the Heart will excite you, will call to you, will remind you to answer your heart’s calling.

Genre: Animation, Drama, Family

Actor: Issey Takahashi, Kazuo Takahashi, Keiju Kobayashi, Maiko Kayama, Mayumi Iizuka, Mayumi Izuka, Minami Takayama, Mitsuaki Ogawa, Naohisa Inoue, Shigeru Muroi, Shigeru Tsuyuguchi, Shiro Kishibe, Takashi Tachibana, Tatsuya Okada, Toshio Suzuki, Yoko Honna, Yorie Yamashita, Yoshifumi Kondo, Yoshimi Nakajima

Director: Yoshifumi Kondô, Yoshifumi Kondou

Rating: G

An interior designer comes back from Sweden to her birthplace in Thailand where she tries to declutter her family home to make it a minimalist, Marie Kondo-type house. “Minimalism is like a Buddhist philosophy. It’s about letting go,” she tells her mother as she tries to convince her. “Are you nuts?” The woman replies.

Jean insists and she embarks on a journey of touching what hasn’t been touched in decades: traces of an absent father and a past lover among the old Nokias and VHS tape recorders.

Happy Old Year is a contemporary exploration of the age-old resistance to throwing things away. Decluttering is a costly act, one of rejecting and discarding memories. The film was Thailand’s official submission to the Oscars.

Genre: Drama, Romance

Actor: Aokbab Chutimon Chuengcharoensukying, Apasiri Nitibhon, Bhumibhat Thavornsiri, Chutimon Chuengcharoensukying, Natda Chawawanid, Nawapol Thamrongrattanarit, Neennara Boonnithipaisit, Patcha Kitchaicharoen, Puangsoi Aksornsawang, Sarika Sartsilpsupa, Sarika Sathsilpsupa, Sunny Suwanmethanon, Sunny Suwanmethanont, Thirawat Ngosawang, Um Apasiri Nitibhon, Wasu Pluemsakulthai

Director: Nawapol Thamrongrattanarit

Rating: N/A

Set in the small town of Åmål, western Sweden, the debut feature by Lukas Moodysson (We Are the Best), is itself a metonymy for the bigger questions of life. It's playful and dead serious at the same time, in the way it portrays teenager Agnes, who, after two years of living in Åmål, still hasn't made any friends that would attend her birthday party. Instead, she spends her time typing away on her computer, poetic diaries and love confessions to a girl from school named Elin. She's the popular one and therefore, out of reach. The amount of tension and escalating ambivalence the film conjures with just a simple narrative decision—a bet, a kiss, an apology—is palpable throughout the 86 minutes of its runtime. A perfect capsule of lesbian desire and first love, Show Me Love is a gem of a movie; one that would make you think Close was a tad overrated. Oh, and don't forget to add the titular song by Swedish pop star Robyn to your Spotify favorites.

Genre: Comedy, Drama, Romance

Actor: Alexandra Dahlström, Bo Lyckman, Erica Carlson, Jill Ung, Josefine Nyberg, Maria Hedborg, Mathias Rust, Ralph Carlsson, Rebecka Liljeberg, Stefan Horberg

Director: Lukas Moodysson

Rating: Not Rated

Danish writer-director Lars von Trier concludes his so-called Depression trilogy with the two parts of Nymphomaniac, an elaborate retelling of the life of a young woman (played by Stacy Martin and then, by Charlotte Gainsbourg) lived from one libidinous pleasure to another. The film's elaborate subplots have a life of their own and flashbacks often take center stage in Joe's auto-narration. Nymphomaniac I introduces the audience to adolescence and early adulthood, through disappointments, adultery, death drive, and extreme ambivalence. Joe's process of self-actualization seems contested and inspiring at the same time, and Gainsbourg is really given the screen time to shine; even more so than in Trier's previous psycho-social drama, Antichrist. Typically for the rich treasury of cultural references, Bach, Edgar Allan Poe, and Fibonacci play crucial parts in reconstructing the symbolic planes in Joe's story. Oh, and Part One opens with Rammstein's "Führe mich", which in itself is an perfectly valid reason to give it a go.

Genre: Drama

Actor: Ananya Berg, Anders Hove, Andreas Grötzinger, Charlie Hawkins, Charlotte Gainsbourg, Christian Slater, Christoph Jöde, Christoph Schechinger, Clayton Nemrow, Connie Nielsen, Cyron Melville, David Halina, George Dawson, Hugo Speer, James Northcote, Jamie Bell, Jeff Burrell, Jens Albinus, Jesper Christensen, Jesse Inman, Johannes Kienast, Jonas Baeck, Maja Arsovic, Markus Tomczyk, Mia Goth, Michael Pas, Nicolas Bro, Peter Gilbert Cotton, Saskia Reeves, Shia LaBeouf, Simon Böer, Sofie Kasten, Sophie Kennedy Clark, Stacy Martin, Stellan Skarsgård, Tomas Spencer, Uma Thurman, Willem Dafoe

Director: Lars von Trier

Rating: Not Rated, NR

After you've watched a few films by Hong Sang-soo, you should know the general outline of what to expect: long, unbroken shots of long, unbroken conversations between characters (who are probably drinking alcohol), with very minimal movement on screen, a few recurring character types, and probably actress Kim Min-hee. But where a number of Hong's films tend to make excuses for its burdened, self-righteous artist characters, The Novelist's Film expresses not just a self-awareness of Hong's usual perspective but a sincere willingness to imagine something beyond himself. With one of the strongest screenplays he's had in a long time, unexpected new touches to his usual style, and a powerful lead performance by Lee Hye-young, the film manages to infuse a newfound sense of vitality and vulnerable emotion into tis familiar beats. There's plenty of humor and light tension to be found in the film's many conversations about the purpose of art—boiling things down to the most foundational reasons for why we make and respond to creative works in the first place. Whether you're a longterm fan or longterm skeptic of Hong's work, The Novelist's Film adds something undeniably new to his oeuvre.

Genre: Drama

Actor: Cho Yun-hee, Gi Ju-bong, Ha Seong-guk, Kim Min-hee, Kwon Hae-hyo, Lee Hye-young, Park Mi-so, Seo Young-hwa

Director: Hong Sang-soo

Rating: NR

Before this documentary, I didn’t have the faintest clue that the formative films of my childhood—Star Wars, Superman, Indiana Jones, ET, and Harry Potter, to name a few—were scored by one man: John Williams. This film is a loving tribute to Williams, who at 92, is still as lively as ever as he shares how he stumbled into Hollywood and found his calling as the definitive movie composer. It features interviews with frequent collaborators like Steven Spielberg and Yoyo Ma and fans like Chris Martin and Seth MacFarlane, but it’s truly Williams’ music that makes watching this a special experience. As soon as you hear the chilling first notes of Jaws, the brash opening of Star Wars, and the melodic strings of Jurassic Park, you’re hooked. Then Williams, often along with the directors, go on and recount how those came to be, and you find yourself seated, eyes wide with wonder.

Genre: Documentary, Music

Actor: Alan Silvestri, Anne-Sophie Mutter, Barbara Ruick, Chris Columbus, Chris Martin, Christopher Reeve, David Newman, Emanuel Ax, Frank Marshall, George Lucas, Gustavo Dudamel, Irwin Allen, Itzhak Perlman, J.J. Abrams, James Mangold, John Williams, Kate Capshaw, Kathleen Kennedy, Ke Huy Quan, Lawrence Kasdan, Paul Hirsch, Ron Howard, Seth MacFarlane, Steven Spielberg, Thomas Newman

Director: Laurent Bouzereau

Rating: PG

Beautiful in its painterly compositions and gut-wrenching in its storytelling, The Wild Robot has been dubbed one of the best animated features in a while, and rightly so. The film, which is a bit like if Tarzan were a robot, or if Stitch had to assimilate in the wild instead of the city, is a classic tale of an outsider learning to love and be accepted by her community. It’s about many other things, too, like the violence of nature, the supreme power of kindness, and the complexities of parenthood (it’s deeply humanistic for a film that features almost no humans at all). But for all the themes it tackles and the colorful multitude of characters it covers, it feels incredibly light and easy to watch. Perhaps that’s due to its hand-drawn aesthetics, which recall Studio Ghibli films more than anything, and to the voices who bring the characters to life, most notably that of Lupita Nyong'o, who gives the robot Roz so much warmth and depth despite her electronic limitations. All these and more make Wild Robot a must-watch, if not an instant classic.

Genre: Animation, Family, Science Fiction

Actor: Bill Nighy, Catherine O'Hara, Dee Bradley Baker, Keston John, Kit Connor, Lupita Nyong'o, Mark Hamill, Matt Berry, Max Mittelman, Paul-Mikél Williams, Pedro Pascal, Piotr Michael, Randy Thom, Raphael Alejandro, Stephanie Hsu, Ving Rhames

Director: Chris Sanders

Rating: PG

There are moments in our childhood that we deeply regret, even if we didn’t know better, even if innocence can excuse us, and even if we weren’t the ones primarily responsible for the mistake. The memory of it can be haunting, but none has been as devastating as the memory depicted in Louis Malle’s semi-autobiographical period drama Au Revoir les Enfants. Malle brings us to the boarding school rhythms with ease, straightforwardly depicting it as is, but with the camera and the sequencing recognizant of the implications. With the natural dynamic between the unthinking Julien (Malle’s younger self) and the alert and afraid Jean formed through subtle moments, Au Revoir les Enfants culminates into the heartbreaking coming-of-age moment that Malle personally lived through in World War II.

Genre: Drama, War

Actor: Arnaud Henriet, Francine Racette, François Berléand, François Négret, Gaspard Manesse, Irène Jacob, Luc Etienne, Pascal Rivet, Peter Fitz, Philippe Morier-Genoud, Raphael Fejtö, René Bouloc, Sergio Kato, Stanislas Carré de Malberg

Director: Louis Malle

Rating: PG

For public toilet cleaner Hirayama, “enjoy the little things in life” is more than just an adage: it’s a philosophy. Every day, he follows a strict routine of watering his plants, going to work, taking a break at a nearby shrine, and having dinner at his favorite stalls. It seems unexceptional, and yet Hirayama manages to find small, meaningful joys in between (and at) those very moments. A tree branch dancing in the breeze and shadows making funny shapes are enough to make him chuckle, while it seems like a good book and a trusty cassette are all he needs to be at peace. Hirayama’s mundane miracles are life-affirming, but make no mistake: this isn’t one of those cheesy films that push you to be happy no matter what. Director Wim Wenders (Paris, Texas, Wings of Desire) infuses the film with a certain gloom so that the overall tone is one of deep, poignant melancholy. Through vague clues about Hirayama’s past, we learn that his attempts at capturing joy might also be bids to escape a traumatic life. All this builds to a powerful ending that speaks to the complexity of human emotion. We can be happy and sad, peaceful and troubled, lonely and content all at the same time, and it’s okay. At the end of the day, we’ll still have our favorite book passage, our favorite singer, a great artwork, or a beautiful park to return to, and sometimes that’s all the reminder you need that life can be worth living.

Genre: Drama

Actor: Aki Kobayashi, Aoi Iwasaki, Aoi Yamada, Arisa Nakano, Atsushi Fukazawa, Bunmei Harada, Daigo Matsui, Gan Furukawa, Hairi Katagiri, Hiroto Oshita, Inuko Inuyama, Isao Matsui, Kisuke Shimazaki, Kōji Yakusho, Long Mizuma, Makiko Okamoto, Masahiro Koumoto, Mijika Nagai, Min Tanaka, Miyako Tanaka, Morio Agata, Moro Morooka, Morooka Moro, Motomi Makiguchi, Nao Takahashi, Naoko Ken, Nari Saitô, Nijika Tonouchi, Sayuri Ishikawa, Shunsuke Miura, Soraji Shibuya, Taijirō Tamura, Tamae Ando, Tateto Serizawa, Tokio Emoto, Tomokazu Miura, Tomoyuki Shibata, Yasushi Okuwa, Yoneko Matsukane, Yumi Asou, Yuriko Kawasaki

Director: Wim Wenders

Rating: PG

In the first twenty minutes, The Remarkable Life of Ibelin seemed to be quite unremarkable, with the usual way a biographical documentary would go, that is, loved ones waxing poetic about how great the dead person was in life. But the documentary takes this to introduce Ibelin the same way his parents discovered the online life Mats Steen lived. It’s a unique documentary, mixing in the usual home videos with the animated gameplay of the archived life Steen lived in Ibelin, but it’s grounded by, and somewhat co-created through the words Steen himself typed about his life as a disabled man, and the game history he shared with the community he formed online. The Remarkable Life of Ibelin ends up being quite a remarkable depiction of living online, that feels much more honest, human, and creative than the condescending or cautious narratives we’ve previously heard about the online world.

Genre: Animation, Documentary

Actor: Elena Pitsiaeli, Kelsey Ellison, Mats Steen, Paul Wild, Zoe Croft

Director: Benjamin Ree

Rating: PG-13

Many people would rather see happy, positive depictions of people like them, but sometimes, it’s important to see one’s worst sides– the sides that we don’t really like to see, but should have some awareness of, in order to address them. It’s because of this director Lee Tamahori initially thought that adapting the Maori novel Once Were Warriors would end up a flop, but through focusing on Beth Heke and her children, through ensuring that each of them have more screentime rather than only on the parents, Tamahori depicts the alienation the Heke family feels on the fringes, an alienation only healed when they choose to embrace more of their culture. Once Were Warriors isn’t an easy watch, with all the difficulties that the family goes through, but it’s a fiercely intense debut that proved to be one of the best films from New Zealand.

Genre: Drama

Actor: Cliff Curtis, Ian Mune, Julian Arahanga, Mamaengaroa Kerr-Bell, Pete Smith, Rena Owen, Taungaroa Emile, Temuera Morrison

Director: Lee Tamahori

Rating: R

The Commitments is the kind of film you show someone you like to test who they are. If they like it, they’re good people. If they don’t, they’re probably soulless. It’s very hard to find fault in The Commitments, a ‘90s Irish musical following a band of aimless young people hoping to escape their troubled realities one rehearsal and gig at a time. They may be penniless and uneducated, but when they take on the stage, these soul (not jazz!) performers will dazzle you to no end. The cast was chosen primarily for their musical chops and it shows—these kids can sing. And when they start, you wish they’d never stop. The lead singer, Deco (a 16-year-old Andrew Strong) is the most arresting out of them, but all 11 of them are very easy to like and follow, even through that difficult but suitable ending.

Genre: Comedy, Drama, Music

Actor: Alan Parker, Andrea Corr, Angeline Ball, Bronagh Gallagher, Colm Meaney, Dave Finnegan, Glen Hansard, Liam Carney, Maria Doyle Kennedy, Michael Aherne, Robert Arkins, Sean Hughes

Director: Alan Parker

Rating: R

There is nothing quite like The Substance right now. It’s unsubtle, it’s provocative, and its satirical humor can be a hit or miss for some viewers, but it strikes at the one thing that’s fundamental to everyone, that can make or break their lives, yet that is rarely given grace and consideration– that is the body. Legions of people have yearned for youth and beauty, but The Substance systematically outlines how much these have been intertwined with our livelihoods, opportunities, and identities, and how other entities would capitalize on this yearning and push many of us to take that out, suck that out, literally, from ourselves. The Substance does this all with insane, frenetic energy.

Genre: Drama, Horror, Science Fiction, Thriller

Actor: Andrew Desmond, Ashley Lambert, Christian Erickson, Coralie Fargeat, Demi Moore, Dennis Quaid, Edward Hamilton-Clark, Gore Abrams, Gregory Defleur, Hugo Diego Garcia, Jonathon Carley, Margaret Qualley, Matthew Géczy, Matthew Luret, Michael Corbett, Nathan Rippy, Olivier Raynal, Oscar Lesage, Philip Schurer, Ranjani Brow, Robin Greer, Shane Sweet, Stephen Apostolina, Tiffany Hofstetter, Tom Morton, Vincent Colombe, Yann Bean

Director: Coralie Fargeat

Rating: R

It is hard to be unmoved by how Die Beautiful defies conventions and explores the essence of identity, acceptance, and resilience. Centered around the life of Trisha, a transgender woman with a passion for beauty pageants, the film takes us on a rollercoaster of emotions as we witness Trisha's life unfold, both in joyous moments and in the face of painful degradation and assault. The film seamlessly weaves together humor, tenderness, and raw vulnerability, delivered stunningly by its lead, Paolo Ballesteros. With other films such as Kalel, 15 and Bwakaw under his belt, director Jun Lana continues to meld reality with hope, injecting kindness and heart into much-needed queer stories.  

Genre: Comedy, Drama

Actor: Adrian Alandy, Albie Casiño, Cedrick Juan, Christian Bables, Eugene Domingo, Gladys Reyes, I.C. Mendoza, Iza Calzado, Jade Lopez, Joel Torre, Kokoy de Santos, Lou Veloso, Luis Alandy, Paolo Ballesteros

Director: Jun Lana, Jun Robles Lana

Rating: TV-14

Prophet’s Prey is a documentary on the sect known as Fundamentalist Latter-Day Saints and its leader, Warren Jeffs. Claiming to have inherited a direct connection to God, Jeffs has used this pretext to control a closed society of thousands of individuals on a shockingly personal level, as well as marry dozens of underage girls and harvest the community’s financial resources on behalf of “the church.”

The subject is deftly handled by filmmaker Amy Berg (Deliver Us From Evil). Here she presents most of the story via interviews with the people whose tenacity was instrumental in exposing  Jeffs. Woven throughout the film, too, is the haunting, disembodied voice of Jeffs himself, in recorded words to his followers, along with film footage of present-day FLDS communities. What emerges is the picture of a terrifying madman who still wields a disturbing amount of power over thousands of active congregants. Absolutely riveting.

Genre: Crime, Documentary, History

Actor: Nick Cave

Director: Amy J. Berg

Rating: TV-14

Asif Kapadia, the genius of biopics who gave us Senna, is back with this documentary on an even bigger sports personality: Argentinian soccer player Diego Armando Maradona. Considered as possibly the best soccer player of all time, Maradona's footage on the pitch is pure wizardry, and you'll feel that way whether you are a soccer fan or not. But that's not the focus of this documentary. What happens outside the pitch is more interesting: from Maradona's modest beginnings to the passionate hatred (and love) that entire countries develop of him. And it doesn't make his story less interesting that during his time in Naples he was affiliated with the mafia.

This is an excellent documentary that distills 500 hours of footage into 2, giving you all you need to know about a character who captured the imagination of a big part of the world for decades. 

Genre: Documentary

Actor: Alberto Bigon, Ciro Ferrara, Claudia Villafane, Corrado Ferlaino, Dalma Maradona, Diego Armando Maradona, Diego Maradona, Gonzalo Bonadeo, Maria Rosa Maradona, Pele

Director: Asif Kapadia

Rating: TV-14, TV-MA

Striking, epic, and occasionally gruesome, Sword of the Stranger is an excellent film about ronin redemption. From the title alone, the film promises and delivers thrilling sword-fighting sequences from the titular stranger Nanashi (or “no name” in Japanese). His bouts with Ming Chinese warriors, as well as the Caucasian Luo-Lang, are so graceful, yet at times, so brutal that it ends with wrecked buildings, copious bleeding, and (on occasion) amputated limbs. However, the gore isn’t what makes these fight scenes work. Nanashi’s will to preserve his honor and self-determination drives the film. It’s the reason why his fight against these invaders feels so compelling. It’s the reason why he reluctantly guards the orphan Kotaro and his cute shiba inu. And when the film finally reveals the cause of that will, rooting for him is inevitable.

Genre: Action, Animation, Drama, History

Actor: Ai Orikasa, Akio Otsuka, Atsushi Ii, Cho, Fumie Mizusawa, Hirofumi Nojima, Hiroshi Shirokuma, Jun Hazumi, Junko Minagawa, Katsuhisa Hôki, Katsuhisa Houki, Kenichi Mochizuki, Kohei Fukuhara, Koichi Yamadera, Maaya Sakamoto, Makoto Yasumura, Mamoru Miyano, Masaki Aizawa, Miyu Matsuki, Naoto Takenaka, Noboru Yamaguchi, Shinya Fukumatsu, Takurou Kitagawa, Tomoya Nagase, Tomoyuki Shimura, Unsho Ishizuka, Yasuhiko Kawazu, Yuki Masuda, Yuri Chinen

Director: Masahiro Ando

Rating: TV-MA

The Kings of the World is a surreal coming-of-age movie that follows Rá, Culebro, Sere, Winny, and Nano, street kids who are on their way to claim land that’s rightfully theirs. Their one goal is to finally make a home after living without one for so long, but they’re hindered by the inevitable tragedies that befall kids of their kind: impoverished, alone, and abandoned. The title is ironic, but it also hints at their state of mind: these boys are unstoppable, rabble-rousers who live like there’s no tomorrow. They tear down private property and invade inns not out of spite, necessarily, but out of a knowledge that whatever they do they’re gonna be put down anyway, so they might as well live without rules. Tackling powerful themes like land restitution and youth neglect, The Kings of the World is one of the most agonizing movies you'll ever see. It’s also Colombia’s official Best Foreign Language Film entry in the 2022 Academy Awards.

Genre: Adventure, Drama

Actor: Brahian Acevedo, Carlos Andrés Castañeda, Cristian Campaña, Cristian David Duque, Davison Florez

Director: Laura Mora

Rating: TV-MA

Two storylines take place in this Parisian animation: one of a Moroccan immigrant who works as a pizza delivery guy, and the other of his hand, somehow no longer part of his body, but also going on a trip around Paris. The hand storyline is not gory by the way, except for one or two very quick scenes. Mostly, this is a film about loneliness and not being able to find your way back, both as an immigrant who misses how they were raised and as a hand who misses its body. Sporting some of the most beautiful animation work this year, this movie premiered at Cannes where it became the first-ever animated film (and Netflix film) to win the Nespresso Grand Prize.

Genre: Animation

Actor: Alia Shawkat, Dev Patel, George Wendt, Hakim Faris, Jérémy Clapin, Jérémy Clapin, Patrick d'Assumçao, Patrick d'Assumçao, Patrick d'Assumcao, Victoire Du Bois

Director: Jérémy Clapin, Jérémy Clapin

Rating: TV-MA

In Drive My Car, a widowed artist travels to Hiroshima for his latest production. There he meets a young woman enlisted to drive him around the area. They forge an unexpected bond and soon share pithy observations and long-buried secrets, which culminate in a touching scene of catharsis and forgiveness. Not a lot is said in this three-hour film, but when words (and signals) are shared, they are always underlaid with simple but transcendent truths. Drive My Car is a gripping film that explores love and loss in its own quiet way, at once intense and intimate.

Genre: Drama

Actor: Ahn Hwi-tae, Ahn Hwitae, Hidetoshi Nishijima, Hiroko Matsuda, Jin Dae-yeon, Masaki Okada, Park Yu-rim, Perry Dizon, Reika Kirishima, Ryo Iwase, Saki Suzuki, Satoko Abe, Shoichiro Tanigawa, Sonia Yuan, Toko Miura, Toshiaki Inomata, Yoshinori Miyata

Director: Ryusuke Hamaguchi

Rating: Unrated

This bittersweet film about a father and a daughter marks one of the more tender spots in Claire Denis’ brilliant filmography. Frequent collaborator Alex Descas plays Lionel (the father), while Mati Diop, now a director in her own right, plays Josephine (the daughter.) The film captures the two at a crossroads, with their closely-knit relationship tested as Josephine grows closer to her boyfriend, and Lionel must face the possibility of finally letting her go.

A melancholy lingers in the air as we learn more about their lives and the small community of neighbors and coworkers in their orbit. Meanwhile, the film's climax holds a mesmerizing sequence set to the Commodores’ Nightshift, which has to rank as one of the best needle drops in cinema from a director who already has an all-timer under her belt. (see. Beau Travail)

Genre: Drama

Actor: Adèle Ado, Alex Descas, Djédjé Apali, Ériq Ebouaney, Grégoire Colin, Ingrid Caven, Jean-Christophe Folly, Mati Diop, Nicole Dogué

Director: Claire Denis

Rating: Unrated